Mmm, some free time has done me good, giving me a chance to rest my brains and remove myself a little bit from the ever-so-hechtic world of politics and political blogging to refocus on what I love most about life–American culture and all the nasty, gooey gossip that goes along with it. I’m back, peeps! (All… 13 of you). And I have a feeling this blog will only get better now that I have a little more freedom.
So. Where to start? Where we left off, of course: Paris Hilton.
Now, I said I wasn’t going to blog about her anymore, and it’s been a blissful 23-or-so days since she was put back in the clink and the world has been so lovely and quiet and drama free since then. It’s been a wonderful break. But, as we all know (or should), she’s scheduled for release tomorrow which means she’s about to stick her ugly, plastic-y mug back in our faces and on our TV screens, only now she’ll be all preachy and angelic like a stint in jail is supposed to erase the fact that the whole reason she’s famous is because she starred in a sex tape, SEX TAPE. How do I know that? Because Yahoo! has a story about what Paris is going to do when she’s out and how she’s changed. Here’s the clip that caught my attention:
…Hilton and her family have hardly shied away from the media during her time behind bars. That constant attention, along with society’s “sick fascination with failure,” will make Hilton’s transition more challenging, Traube said.
“She has almost set herself up to fail because there’s been so much talk about how she’s a changed person, how she found religion and she prays all the time,” she said. “People are bitter for the notoriety she has for having done very little other than party, so they’re standing around waiting for her to fail.”
American society has a “sick fascination with failure”? I’m not entirely sure about that. Or, rather, I’m not entirely sure that what the Hiltons are using as an excuse for why their daughter got into so much trouble (as opposed to accepting the daughter’s complicity in breaking the law several times which tends, in this society, to lead to punishment) is actually a fascination with failure as much as it is a manifestation of the American dream.
I heard that “What??” all the way across the internets. I’ll explain.
The American Dream is the idea that anyone — no matter how poor, no matter how foreign — can come to America and through hard work and dedication rise through the social strata to the top levels of social and economic wealth. We all know it, we all believe it in, a lot of us work in awful, dead-end jobs because we’re so convinced that we’ll be able to make it. And a lot of us do. But we do this without really thinking about the ideals envisioned in the American Dream, and what happens after you achieve it. The vision of the American Dream incorporates two fundamentally American ideals: freedom from artistocracy and the protestant work ethic. The Hilton family certainly didn’t start out as multi-millionaire hotel owners; someone in the family had to work to be successful with one hotel and then expand it into a successful chain. There was that person, his name was Conrad Hilton and he died in 1979; the Hiltons are New Money. So Conrad fulfilled the American Dream, and Paris’s father probably had some hand in helping the company achieve success at some point, but essentially up until Paris and Nicky the Hilton family heirs were involved in running the business that was responsible for their good fortune and were therefore somehow still participating in the American Dream.
Paris and Nicky changed all that. Paris, especially, since she’s been the one to most openly and egregiously pursue the spotlight. Paris and Nicky are the most wealthy heiresses to date in the Hilton family, and the first to not feel like they needed to work in the family business to justify the kind of extravagance they enjoy. Instead, they set out to make themselves into celebrities, to make the American people love them without any of the work (yes, work) required of other celebrities to achieve their fame.* And Americans began to fall for it a little bit in the beginning. But it wasn’t long before our cultural DNA was rebelling. The idea of the American Dream is built so deeply into our cultural identity that there is no media or ideologue in existence that could ever begin to erase it.
Think about it: just about every person who ever set foot in America, from colonists and pilgrims to illegal immigrants today, came here because of the promise of the American Dream. 18th and 19th century Europeans saw America as their rescue from the oppressive aristocracy, a place where they could find success and stability. France even had a revolution based on our Dream. And in the 20th century we became the saviors of the poor. It’s a hard burden to bear as a country, but it’s one we’re conditioned to accept and even celebrate from the moment we are born. That is what makes us Americans, that is our most defining cultural trait. Paris Hilton flies in the face of all of that. She was born at the top — one of the people who comprise the small and amorphous American artistocracy — and she as eschewed work in favor of celebrity to flaunt money she hasn’t earned for herself. Our American DNA rages at this, boils and screams and gnashes its teeth in pain over how incredibly anti-American it is.
And then, we rebel. We start to focus on whether or not she has herpes, who she’s fighting with, how spoiled she is and how stupid she is. We celebrate her misfortunes, like her DUI, and we come damn close to turning her truly frightening experience in the justice system into an impromptu national holiday. And I include myself in that “we,” because this blog got more hits on the day I live-blogged Paris’s journey back to jail than it got in the previous month combined. We truly do become fascinated with her failures. So when Kathy Hilton — another spoiled Hilton brat — lashes out at the press and Americans for having a “sick fascination with failure,” she’s not quite wrong. But she’s certainly not right. We’re not fascinated with failure; we’re fascinated with equality. And when the unspoken aristocracy begins to behave like the aristocracy, we’re not about to lie down and take it. This is America, remember?
Hm.
–Sara Tenenbaum
*Even the brattiest, most spoiled celebrities do something to become celebrities. Now, yes, we’re seeing a rise in “celebutantes” like Paris and Nicole, but the majority of these annoying early-20s It Girls actually worked at something to get where they are now (Mischa Barton and “The OC”, Lindsay Lohan and “Mean Girls”). They may have had it easy from early on, and they may be a bizarre and slightly frightening breed, but even they gave in to the meritocracy of the American Dream a little bit.
